The Piano Lesson
Matt Aucoin
after Henri Matisse
I.
Hope of the boy’s
hidden hands that they meet
at the final triangle’s
point, the key
II.
The twice-painted women
are strung silent.
The boy sits in air’s
clear fire between
wrought music stand,
wrought railing. The scene
orients around
the unseen bodiless
dancer the women
are bodies of.
III.
The wrought railing
strains for the world
of green the world
of time – in this house
sheer cliffs, the window’s
slice of green a slice
of time, a sharp absent
point on the burnt piano-top
where the metronome mocks
the candle, taps
its own candlelife out
in unlovely coughs
as the candle lost
in its shining locks
is too much song,
is not hope
IV.
The two mothers guard
the depthless walls
of the past he purges
now in song:
with the rest
of the brightened dead
they inhabit hope –
V.
And now his fierce eye
confounds its shape
in a shadow honing
into evening,
narrowing, lengthening
into nothing
VI.
Must I misshape time?
To another canyon,
another imagined point?
O say the boy’s hands,
strong with gathered gaze,
meet that backwards eye