Spring Summer 2022
From where she sits on the veranda overlooking the narrow shoreline she can see a whole group of them, their stomachs stretched and shiny in the sun, waddling over deflated-looking dunes towards the water. She counts three, maybe four (with the fourth she can’t be certain). One of them looks as if she is about to burst. How can she be allowed out like that?
Winter 2022 - Jellyfish
Goldfish bags in her hands, the kinds won at carnivals, shifting all at once like sand. How long has it been, she wonders, gripping the jelly-like sacks, how long has she missed the feeling. Laminated posters on nondescript beige walls advertise buttock enhancements and tummy tucks and something called the Mommy Makeover. Labiaplasty, liposuction, a whole slew of lifts, adjustments, and removals painted in violent fleshy inks: skin as an artistic palette, bodies to be revised and refined with glinting silver scalpels by square-jawed doctors. Does he think he is an artist, she wonders, staring at the pentagonal face of her surgeon, does reshaping a nipple or labia count as art. Her palms are sweating. Have these been inside someone, sliced and fished from the shallows of an armpit incision before they were handed to her?
