Features • Spring 2026 - Fear
Gezi
Once again, a newborn cried for the first time. The bald scream carried her voice through crowds in a chestnut-smelling street, rousing the cats from their curbside sleep. The sound stretched farther on to the trees of Taksim as they shuddered with an intensity foreign to them. The cats knew of what was coming before us. They found Spirit in a corner of İstiklal, licked and nursed her. They were the ones who would tell her about the name of the street, about how long before it meant independence, it meant dismissal and rebellion. They told her, as she cried, that she was rebelling even now when she did not know the word for it. They were the ones who decided that the time was right and carried the newborn to a nearby park. The cats, from atop the branches of Gezi, all silent in their knowing, wanted to show Spirit the trees.
Poetry • Spring 2026 - Fear
There’s something to be said about those little birds inside the eggs, with the sticky baby down and bones melted tender. This morning, you call me soup-for-brains and I imagine a boy’s guts cupped inside the feathered belly on my plate—another boy pressed open like a drum, a membrane. I drink the brine from a jar of Koon Chun plums for breakfast. Practice, I say, and you call me Pussy for the first time all week. They say it doesn’t taste like anything. Just the salt of the duck and the blood-tang of marrow. But I forgot you’re tutoring Leah Wong at her place today, so I turn and face your black-feathered buzzcut. No time for a game behind the school with the Chus’ half-popped basketball, which yesterday I poked till it dimpled and likened it to one of her mom’s big fake ones, and you hit me. For a split-second I thought I saw your eyes turn milky and your spine go baby-bent, but I pulled up your T-shirt and you were still hairless as a girl, your skin opaque. So it’s dinnertime and Mom isn’t home yet and all I have is the chick in my egg. He’s just boiled awake, beak parting to call me Dumbass. Soft. My fingers turn to yellow protein in calcium dust, prying you into this wet, scalding kitchen. Walls gum-pink and beating; I take you where heat reigns.
Features • Spring 2026 - Fear
By no means is this a famous story. It takes place in Huntsville, Utah, a small town of under six-hundred residents, located in Ogden Valley on Pineview Reservoir. Surrounded by three ski resorts (Snowbasin, Powder Mountain, and Nordic Valley) there is no shortage of idyllic views, nor a shortage of seasoned skiers wishing to park amongst these idyllic views. This is observed by the abundance of Parking by Permit Only signs that prohibit parking west of 7300 E Street, made possible by the Huntsville Town Ordinance on April 19th, 2018.
Fiction • Spring 2026 - Fear
Big John stood near me with the electric blue above us, screaming out with its shine for everyone to drink it. Lines of neon stretched and twisted into a beauty of advertising brilliance. We were drinking it and the bottles were sweating and it made me feel good for the first time all day.
The fresh online pieces we experiment with outside of our print cycle. Formerly known as Blog.
From the Archives
Poetry • Spring 2016
We’ve climbed up on the roof before,
barefoot and shivering, at one time
there were no empty rooms, so many people in
the house, sounds of living and maybe
even singing. A voice that wasn’t ours.
We heard it then, under all those blazing stars
I mean pixels. Screen glows from within,
pulses in a waterfall, some kind of heartbeat
when we finally get up to close the door
when we do our homework after all these hours.
My mother calls, I want to be right where you are,
sleep, I love you, TV ruins your eyes.
It’s 11 pm and death is on my mind,
accidents upon accidents, blood and gore
somewhere in the streets, she
is the time passing and sick, invading dark
people gone missing—could she have been?
No, says my sister, but she’s young and has no power
over things we can’t trust and things we can’t see.
I’m young and have no power, am small, never win
but I check the empty driveway, look up at the sky line
inside, it’s my sister; outside, the lights and cars,
and all I want are her footsteps upstairs, the shower
running in the bathroom, her work clothes on the floor.
I daydream of flashes and have visions of scars
studding the roads, the bodies, my mother and flowers
I left her, Fiji in the back seat and rosary beads
I prophesy the petals tearing, stems breaking into the night
as glass shatters the world and blends into her skin,
she doesn’t pick up and I’m still watching the war
footage from Iraq. Fallujah’s dust rises into towers
and creates people out of nothing, I blink and start
to think my eyes are deceiving me. Behind, my sister snores
and listening I think that the roof would be cold by now, heat
extinguished in the stars above the lamplights hanging, pinned.
This is the part where we find out she dies.
Fiction • Fall 2024 - Land
saturday morning i wake in county jail w/ profound sense having been victim of a ferocious injustice. body cam footage soon reveals said sense was misplaced; for future reference, 9 Long Island iced teas too many on new meds. long story short: got in verbal fight w/ bartender bc he wouldn’t play new Kanye album; he told me to leave; i refused to do so; argument escalated; police came; detained me; put me in squad car wherein i told Hinge date i loved her. i (White) then accused officer (also White) of being racist (likely statistically true tho not applicable to situation). in the end got booked for drunk & disorderly + trespass & forced to stay in jail over weekend bc i told arresting officers that the second they let me go i would swim to Mexico & they would never see me again, ie intent to flee. today (monday) see judge who gives me $1000 bond & sets next court date for thursday
Features • Fall 2024 - Land
Fredric Jameson passed away at the age of 90 on September 22, 2024. Renowned as the Knut Schmidt Nielsen Distinguished Professor of Comparative Literature at Duke, Jameson was a profoundly influential figure in Marxist literary criticism. Jameson studied continental philosophy under Erich Auerbach and Paul de Man when the winds of Anglophone academia were still blowing west, and produced a body of culture criticism in the Western Marxist tradition that would culminate in The Political Unconscious, published in 1981. His next major work Postmodernism, or, the Cultural Logic of Late Capitalism has become even more salient to our present day understanding of the commodification of time, space, and culture. Jameson was an ambitious and prolific critic: his analysis spanned the gamut from architecture to film to novels, and even in his final year he published three books, Mimesis, Expression, Construction; Inventions of a Present; and The Years of Theory.
Features • Winter 2017 - Cell
A spindly peninsula juts off the northern coast of Greece like a bony nger exed in the Aegean. In pictures, it looks otherworldly: lush, lonely, and alpine, azure tides battering against ragged precipices. An edice that resembles a decaying fortress languishes at the edge of a cliff in sad decadence as if threatening to slump into the ocean. It looks like the sort of place you would expect to find the last living dinosaur, huge and decrepit.
As secluded and ancient as the Greek gods themselves, the peninsula is called Mount Athos, named for the Giant upon whom Poseidon spitefully launched a mountain. Today, it is a solitary bastion of Orthodox Christianity. Twenty turreted monasteries litter the coast of Athos like anachronistic watchmen. Within, hundreds of robed, Rasputin-esque men murmur unintelligible prayers, rapt in their piety. They pray for the world, they pray for salvation, they pray for mercy. Their lips tremble unceasingly under the weight of holy words.
The monks have tasked themselves with the deliverance of the human race, waging an invisible war against Satan that keeps them anchored on Athos for at least a lifetime. Leading a mean, spartan existence, their aesthetic is ascetic. When they die, their humped and tired bodies unceremoniously rot beneath the mountain before their filthy skulls are exhumed and pitched into an overowing catacomb. Here their lifeless mandibles will surely continue God’s industry amongst thousands of departed brethren for centuries to come.
***
Mount Athos exists exclusively, and quite literally, in the past. Thirteen days to be precise. It is the current time discrepancy between the Julian and Gregorian calendars, the latter of which the monks have declined to adopt. However, for all the fanatical infatuation with tradition, a gap of thirteen days may as well be thirteen hundred years on the mountain.
Eastern Orthodoxy prides itself on ironclad adherence to archaic praxis. Unlike other branches of Christianity, virtually no aspect of the Orthodox liturgy has changed since Judas the Apostle turned Judas the Apostate. The arcane murmurings of the Athonite monks are the same ones that dribbled from Jesus’s own holy tongue in the first century. They boast their antiquated practices with an ecumenical smugness, reveling in the moral purity of their beliefs.
The monks’ rigidity does not subside for the mission of inclusivity. Despite their professed dedication to the supernal, loving ways of Christ, the monks of Mount Athos have unapologetically shuttered their doors to women. According to an Athonite edict termed Avaton, females are forbidden from encroaching on the mountain and must keep a distance of at least five hundred meters from its shores. The prohibition goes so far as to extend to most female animals; neither hen nor heifer is permitted to roam the mountain. The monks revile transgressors with solemn delectation, dispatching the women to prison, where they are welcomed more warmly.
To the monks’ displeasure, a woman will successfully breach the perimeter of Mount Athos once every few centuries, an onerous task given that the peninsula is only accessible with written permission from the Patriarch of Constantinople. Many suspect that the first time was during the 14th century when the Serbian Emperor sought to shelter his wife, Helena of Bulgaria, from the plague by sequestering her upon the mountain. While the undertaking was a success, Helena’s feet never once touched the ground – the monks forbade it. Instead, servants toted her body throughout the peninsula in a hand-carriage like large, unwieldy cargo.
More often than not, female visitors are intrepid woman who steal onto Mount Athos in male guise. In the 1920s, French writer Maryse Choisy, in a demonstration of journalistic devotion, donned a false mustache and underwent a radical mastectomy in order to breach the walls of Mount Athos. In her book, Un Mois Chez Les Hommes, Choisy chronicles her successful month-long sojourn posing as a male servant. Upon inquiring about the apparent lack of female animals on the peninsula, a Vatopedi monk explained to her, “The day we possessed a hen, some brothers would argue that we should also accept a she-cat, a ewe... or even a she-ass. And there is but a step from a she-ass to a woman.” To account for the dramatic exercise of principle, the monks have maintained a biblical defense of the mandate.
As Athonite tradition would have it, the Virgin Mary was sailing to visit Lazarus of Bethany (newly resurrected, feeling like a spring chicken) when violent winds beat her ship off course and dumped its holy cargo upon the shores of Mount Athos. In a par- oxysm of divine inspiration, the pagan peoples of the region suddenly abandoned their godless ways and converted to Christianity. Enamored by its strapping, Mediterranean splendor and the spontaneous religiosity of its residents, Mary prayed to her son, the recently Ascended Jesus, that the land be gifted to her. Evidently, being the mother of the Christian messiah is not without its advantages, as God obliged, proclaiming, “Let this place be your lot, your garden, and your paradise, as well as a salvation, a haven for those who seek salvation.” From that moment on, Mount Athos was consecrated as the garden of the Virgin Mary and thus, the patriarchs of Orthodox Christianity determined that nary another female foot was to tread on the sacred land.
Surely, such measures seem like an overreaction to the words of the blessed Virgin Mother. Perhaps, Mary just wanted a building to bear her name. At the very least, it is more probable that she would have liked to create a sanctuary for the veneration of women, not an exclusionary pulpit from which haughty, near-senile monks pray for the salvation of a world from which they are utterly detached. Alas, generations of pious men have discerned otherwise.
***
On its face, Mount Athos appears to be an aberration in its staunch, and arguably contrived, exclusivity. In reality, its extremity is indicative of a larger, resilient pattern of gender segregation across religions. Almost counterintuitively, a plethora of holy places have become reserved for people of a particular gender, as opposed to people of a particular faith. Sacred sites like Mecca and Medina, which only permit entrance to Muslims, are exceptions in their brand of exclusivity, not the rule. The evidence for this is both profound and plentiful. Until 1983, the sanctuary of the Catholic church was a space reserved solely for males, with women forbidden from approaching the altar. In traditional Jewish synagogues, it is an enduring practice that a mechitza separate the sexes during prayer. Similarly, women in Islamic mosques are often obligated to pray in separate rooms from men, or divided by partitions, all in the pursuit of a nebulous benchmark of modesty.
The unifying theme is religious tradition with a deeply rooted distress regarding the company of women. On Athos, the monks have deemed female-kind an insurmountable impediment to spiritual enlightenment. The last time an Athonite monk was ques- tioned on the subject—less than ve years ago in a feature for 60 Minutes—he protested, “Here we’re concerned solely with purity and our elevation to eternity. If women are permitted they would bring their families and children—this place would become a tourist attraction and no longer a place of silence.”
The monk’s tone, steeped in polished condescension, would seem to imply that tourists, too, are barred from Mount Athos. This is certainly not the case. As a matter of fact, one does not even have to be Orthodox Christian to gain visitation privileges; simply an adult male or boychild in the company of his father. If you fall into the fifty percent of the population who happen to satisfy these genetic requirements, you are at least eligible to apply for a visa granting access to approach the sacred mountain.
In truth, the grievance seems to lie with the acute sexual anxiety induced in spiritual men by the presence of women. Rites of separation, in most religions, exist for the purpose of sparing males from the temptation unwittingly offered by the female physique. On Mount Athos, the Avaton is a bulwark protecting the monks’ celibacy. Their mortal bodies are, after all, imperfect: mercurial and plagued by weakness, naturally in the business of sin thanks to our forbears, Adam and Eve. Gender segregation ensures that the monks will never, “defile their eyes with the sight of anything female,” as stated in the charter of The Grand Lavra, Athos’ first monastery. Women are vilified as impure, corrupted ribs of men, so that the Athonites may more easily conserve their delicate purity, until death allows them to shed their nefarious human suits and clear the sill of this universe for a more divine setting.
***
In 2003, the European Parliament formally requested that the monastic leadership of Mount Athos renounce its ban on women, citing the United Nations’ core principle of equality between the sexes. Needless to say, the Athonites declined. Technically, it was within their rights to do so, given that Athos retains a “special status” as an autonomous polity of Greece. In recent years, the monks have argued that the monasteries and land that surrounds them are all their property, giving them the right to exclude whomever they please.
An Austrian politician named Walter Schwimmer defended the reasoning of the monks in 2012, writing, “One of the most essential aspects of human dignity is the mutual respect of human beings. Someone who demands the end of the ban of women on Mount Athos simply lacks respect for the way of life the monks of Mount Athos have chosen as well as for their religious beliefs and convictions.”
The errors with this logic are both glaring and manifold. Unless Mr. Schwimmer considers females to be a lower caliber of human being than the Athonite monks, it remains to be seen why this all-important sense of “mutual respect” should not extend to the devout women who wish to visit Mount Athos. Furthermore, Schwimmer’s “right to discriminate” rhetoric is morally bankrupt, reinscribing traditional hierarchies of power and creating areas of entitlement for already privileged parties. The problem with drawing arbitrary, heavy-handed lines in the sand arises when one’s liberty to exercise religious rights greedily envelops another’s freedom from oppression.
This is not to say religious tradition ought to be ung haphazardly from the monastic window. No one has asked that the monks surrender their opulent collection of invaluable artworks, deteriorating tomes, or ancient manuscripts. Ultimately, the Athonite monks are at liberty to practice their religion as they please. Nonetheless, it is imperative that we question the value of antiquated practices which exist solely for the sake of orthodoxy, especially when those practices are exclusionary and have the tendency of reducing women to mere sex objects. It appears that there is virtually no benefit in barring women from holy sites at the expense of their right to experience spiritual fullment and unity with their favored deity. If the monks who rule Mount Athos with such an unforgiving iron fist are so salacious that their unswerving commitment to God should falter if they so much as glimpse the sleek, wild flesh of woman, that seems to be indicative of a larger, deep-seated problem with their faith. Eve may have offered Adam the forbidden fruit, but he could have easily denied her.
For all its earthly pulchritude and divine treasures, the outdated exclusivity in which Mount Athos languishes is undeniably ugly. Perhaps more alarming, is the notion that Athos is far from an unhappy idiosyncrasy. On Mount Athos and beyond, reclusive men of piety, drenched in an articially divine light, cast the shadows of giants in whose cool silhouettes women wither.
Fiction • Summer 2017
The vacation was Charles’s idea, insisted upon despite – or more accurately because of – the fact that I was still waiting for my diagnosis. He’d always been quietly of the opinion that my illness was all in my head. Not that he said so, but the thought slipped in between us. In bed when he ran his fngers down my back and told me that my skin was beautiful, my skin was so perfect. When he handed me a cup of tea, along with a small dish of ice cubes to cool the water, and asked not how I was, but how I felt. It sat in that small sea of wrinkles between his eyebrows, giving him what looked, to all the world but me, like an expression of genuine concern.
Poetry • Winter 2017 - Cell
Early morning light: a young red-tailed hawk
glided onto an overhead branch and peered
down at me, but it did not look with your eyes—
a battered and rusted pickup lies in the wash;
Navajo tea buds on the trail—I headed back
and checked, in the boiler room, the traps,
baited with peanut butter—now a gnat
flits against this lit screen: where are you now?
One morning, we walked in a Rhode Island
cemetery and did not look at a single gravestone;
we looked at hundred-year-old copper beeches,
cells burnished purple, soaking up sunshine,
and talked about the dawn redwood,
how the glimmering light at the beginning
of the world was in all things. This morning,
in the predawn darkness, Orion angled
in the eastern sky with Sirius, low,
above the ridgeline; and, before daylight
blotted out the stars, I heard you speak,
*the scratched words return to their sleeves*.











