Winter 2015 - Possession
While I was not thrilled to be made a scapegoat I knew my
role. The summer was more or less bitter than the fall.
Chairs creaked when angels sat in them. The premise of
their argument also creaked. Along towards winter, hearts
rose. Something had gotten underway and was proceeding
under its own power down the wet street above the beach.
Motorbikes wove in and out. Consciousness turned toward a
drop of blood shed while adding one more stop to the line,
where thousands would never live. I would never live there
too, but my perceptions were bent from the start. I couldn’t
distinguish between identical worlds, nor did I understand
how to dilute my own past enough to make it drinkable.
Certain things that I read suggested this could be done by
developing the proper attitude toward what might in theory
transpire given sufficient passage of time. But I don’t know
what that is. Things continue on in endless space, my good
old captain said to me. Meanwhile session one began by
revoking the law against breaking promises. Egregious
examples were set out on a plain oak table overlaid with
butcher paper. Crayons were handed round and then
deposited into a cylinder that appeared at the window. The
session turned strange when one of the examples lurched
through the room, calling the others names. My right eye
became distracted at the very instant I knew that this may
not really be the case. So be it, lights flickered in the sky and
tall white letters shone brightly, as we easily saw for
ourselves. Out of them our futures could be foretold, and the
things that would one day exist could be seen hiding behind
the north wind. There was nobility in these prospects, which
varied depending on the character of the grain being roasted.
Now was not the time that then was, but then no time was, in
the manner of speaking of it. And although heavenly
trumpets tendered three notes for each cake of phrase, I
knew Satan’s Kingdom had a hand in this. Therefore session
two called for a different approach. I drew up a map that
showed us here, where the black dots are, with our
destination being there, at the edge of the fir trees. I traced a
fibrous line between them and off we went. Maybe it was too
soon after death for things to have stabilized, because when I
asked about staff reductions your face turned blue. As we
floated along, a sense of futility followed us at a respectful
distance, occasionally stopping to rest or take notes. The
dark air grew thick, and our progress was stalled thanks to
*Preternatural Stupendious Prodigious assistance by the *
*Devil given thereunto*. A low theater crept up from the east.
I presupposed its existence before analyzing it. Many times
I’d done the opposite and found myself carefully arranging
shadows while the objects that supposedly cast them
wandered off, pursuing whatever desires or whims were
uppermost in their thoughts, without any consideration for
my efforts, save to ensure they were fruitless. In fact this
became something of a trend over the years, until I counted
myself among those movable shadows, whose relative
independence only affirmed their contingent, gratuitous
character. So I assessed the current situation according to
what depth of conviction I could muster about the judgments
to be made. For example, was it sunrise or the middle of the
night? We were wide awake, certainly. And there were birds
singing. But a sheet lay over the whole village. Did it appear
then, as it does now, that the same question could receive
thousands of different answers, and that we may as well have
been consigned to the nether side of some unknown planet
as to have been where we were? This didn’t seem likely, or
rather there was no need to exaggerate the case or its
implications, even as the west wind swept through each
tentative disposition proposed. What felt clear was the sense
of a mental journey cut short by stupefaction––and by
open-mouthed disbelief turned despairingly toward an
empty corner of the room, which had suddenly enclosed us,
as the dim light from a sconce revealed a single, round object
at a distance of approximately five feet, either on the floor or
hovering just above. No additional details were available. I
called out to it; it called out to me. Next door someone said
“Wait for the Face Man to come.” Whether I knew to whom
this referred I can’t say. How could such a problem be borne
without the elusive gauge of poetry? Was there any way this
situation could have offered me a more refined sense for
what was lacking, as I struggled to humor it into giving a hint
what the next step should be? But there was no next step.
Present and future were simply abandoned to the insensate
devouring gorge. Alternatively, the round object could have
been a kind of poem, like Wyatt’s “In Æternum,” although
I’m adding that just now. At the time I had no idea what it
was or whether it mattered for me to know, or even whether
its status as an object was worth confirming. I did
nevertheless try to confirm it. I understood X to be true
owing to reasons* a,b,c*, and *d*. In reality, though, X was false,
for those exact same reasons. The next day I stood waiting
for a train. Someone else was living inside me now, which
changed the problem completely.
Winter 2018 - Noise
For the sake of illustration I fall asleep and things change as
I breathe them in, the walls becoming floors, the floors be-
coming streets, the streets becoming fields, while various an-
imals, startled, cautious, move warily up the hill and into the
woods, where they revert to a prior state. ere are sometimes
moments of calm arising in an imagination without the dis-
cipline to embrace them. The animals all sense this. They
stalk one another through the trees in order to demonstrate
their most characteristic instincts. But these become detached
from the bodies that house them, which huddle along the
circumference, or glide back and forth through small gaps in
how they were made. Sounds fall to echoes, roughing out a
zone where what one hears matches what one doesn’t hear,
and adjusts to its shadow.
Winter 2015 - Possession
No one alive knows what my body is feeling right now but
there’s a way of working it out, and there’s someone who
knows how to do that, except first we need to wait for the
right conditions, and in the meantime send our strength out
into the disabling humidity to sweat itself into as many drops
as required for oversight of the metropolis called nowhere.
(When I say my body I refer to the one I had been renting
for many years until recently.) In the past everything was
divisible by two. People would wait behind a wooden fence
while a river of grass swept by. It was either noon or night,
never in between, and most objects tended to be either blue
or green. The sky was a huge lens through which the sun and
planets and stars were magnified. Stone towers would
perpetually deteriorate, and streets would trail off aimlessly
to the south and east, into the sea. My concern back then
was the amount of paperwork required to document all this.
Each day I would create a small chart where I would insert
certain private symbols whose meanings I would guess at.
The sun would tilt on its head, trains would travel
backwards, and I’d return home to my perch on the hillside,
beside an easel. Sitting up there, I often saw ships laden with
pine cones and red leaves to be applied to skulls of thinkers
in the grass, and these visions lent elasticity to my
temperament, allowing me to handle new events by calmly
outfoxing them. Complications did not fail to ensue. For
example, once as I was writing a poem similar to this one,
a small animal darted across the page. I say animal but note
a human animal. Despite my training, these were my
immediate feelings: aggravation, annoyance, discomfort,
disgrace, a sense of oppression, destroyed happiness,
inconvenience, indignation, insult, mortification, outrage,
vexation, wounded pride, mental anguish, humiliation &c.
Well, I think so then and I thought so still. Yet as of today
my eyes have learned to avoid what they project, and so I
follow their lead, focusing on an absent center, so to speak,
taking that center to be the thing that one day will envelop
me, save that I know this to be false––a false idealization––
like a pen or pencil gripped tightly in the fist, stabbing the air
with signs that know no pretense outside of that which
makes them intelligible. Lights flash east of Opportunity
Rocks. Most of what remains gazes up at the hazy patch atop
the night sky, until certain spells leak down like assistants
sent to make a task more difficult, plucking out spines of
light for dark illumination. Is this what I came here to see,
this thing that once lay beneath my feet, in vaults of
equanimity, its soil exchanged for what I’d occupy,
instinctively, in a drone of disappointment? Imagine that
I’m speaking of the pain I’m feeling in such a way that you
feel it too; and yet I don’t feel anything. I’d love to be part of
what you’re part of, to enjoy some poignant dream as it sighs
in your ear. But I only feel a transcript of real pain. And yet.
Try not to put it in words. Eventually I’ll know when
something has been left out. Is what necessary? I take a
short trip through time to find someone whose wings have
grown sheer or at least impressively faint. I listen to dead
voices argue beyond what I can make out, their sentences
rolling to no other purpose than to coax remote things into
view, even though they fail to maintain interest, and serve
simply to punctuate the long night. Yes, amazing. For here
on earth seasons are careless of speech. And there’s no
recompense without injury. Nobody knows where they
stand.
