Not that we love order
the skeleton but o –
o if outside this room it
carved up such fruits, such
pulp between the beats –
And then the stretch of road
we needed has been swallowed – still
we turn, twisting our seatbelts at
the neck, and point. The grey sky there
is not the chaos we need to make
*that* point and still the sun with
uncanny execution acts
its ancient orchestrations – “there are
conductorless ensembles,” says
the conductor, “that play so beautifully
and yet I miss that hand and
I wish–”
and do we need to wish?
stamp speaking faces on a grid
all blank arpeggiation, bright
thoughtless precise
display?
Then the sun
too would have to speak
clearly in a prologue to
the grass *on cue you’ll die
over and over* or else the grass
did say the same
at the same time or
else a whistle-camera-pistol-
-memo flown to all: *on cue you’ll live
over and over and as well
at your convenience die but that
is not my area*
In the room the numbers
attend their coming colors.
The soft old man stands up.
He holds a bass clarinet.
He listens then he listens louder.
