Spring 2018
Was it noble,
The bitter austerity of desire
Opposing
Viol to cello, rampant to redoubled
Free animals,
Phaedrus a litter of souls coupled
Eternally?
There was a hillside farm, a steep one. I saw it.
It was slow to
Perish, floating in a mist of white bees.
Then later,
My face became strange to me.
The world also.
Charioteer of wounds and bleeding,
What herbs might help
My dead beneath the bright wheels of thousands
Of you? Wild thyme
Was a man once. The upshot and noon inclined
To apogee,
The higher still as early Magdalene.
Spring 2018
To my amazement, someone is dancing.
Eternal Biedermeier, the sound of windshield wipers
Lulling the car, making of the rain
A beloved shape-shift deeply, my sister’s
Charm bracelet on the wheel rhyming “Ramapo”
With “Brahms’ Alto”, the sound is stronger than hills
Yielding to facts. This is my poem,
A paean to dementia. This embraces
Dementia. The rain conceals a little,
Then is wiped away. The next exit
Toys with the undercarriage gently.
Rain makes a gorgeous pattern on the glass.
Let us begin: we are driving in the rain.
Rampant, redoubled, sister and I see
The rain so beautiful and then an empty
Windshield equally deathless, dazzling
Winter bees with a mountain on each wing.
By noon, nothing remains but romantic litter.
Biedermeier at all the outposts beats,
Whirrs, thuds. One charm upon her bracelet
Rings my eye with emerald around.
The first word of the risen Christ was “Woman”.
Did Magdalene require a further word?
Is there a forgotten country, *un pays vague,*
Behind the vexed and uxorious country
Forgotten just now? Litter of rain,
Little winter birds suggest as much. The aftermath
Of Bellerophon was olive groves. But see:
The shadows of olive trees turn instantly
To water. Waves of light, in a concourse
Of silver hyphens, drench new patterns of herbs
Near to home. Home is a southern studio.
Mother dotes upon the downing moon.
My sister drives a Biedermeier toy.
To my amazement, someone is dancing.
